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The
Cathedral
The origins - It took three centuries to build
the cathedral and contrary to what many believe, official
documents confirming this, the cathedral is not a celebration
of the miracle of Bolsena which took place in 1264.
The “Duomo” was not built to hold the precious
relic as is popular belief and two Popes have argued against
a direct connection between the miracle and construction(Alexander
VII and John Paul II)
Architecture - The cathedral can not
be defined in simple architectural terms. It is generally
presented as a “Gothic Cathedral” but after
much research by experts it is considered as being of
another nature
From the beginning - Pope Nicholas IV attended
the laying of the foundation stone 13th November 1290.
The first constructor we know of was the Benedictine monk
Fra Bevignate who constructed the three naves to the cross
vault .The cross vault and apse was then completed by
Giovanni Uguccione
Lorenzo Maitani
- In 1305 the architect Lorenzo Maitani strengthened
with four flying buttresses the sides of the cross vault
and with two the apse, he then supervised work and created
and modified the three cusp façade and constructed
the roof. The artist’s style can be seen in the
apse which is situated on the wings of the eastern buttresses,
work was completed on the apse after his death(1330)
The ten chapels - On the walls of the lateral aisles
ten chapels open with a half cupola dome. The floor of
the cathedral is in red marble from Prodo (a town near
Orvieto) It was started in 1347 and completed between
1383 and 1388.
The Baptisimal font - which is situated at the
end of the left lateral aisle under the first arch, was
designed and started by Luca di Giovanni in 1390and in
1406 Sano di Matteo from Siena completed the work, addind
a monolithic bowl in red marble. Resting on eight lions
is the temple canopy. In front of the font, on the left
wall, one can see “Maestà” by Gentile
da Fabriano (1425)
Central nave - The central nave culminates in a
stupendous gothic window, 16.30 metres lond and 4.55 metres
wide, which was begun by Giovanni Bonino of Assisi(1325)
and was finished by Nicola di Nuti in 1334. The window
is made up of 48 segments which represent the story of
the Virgin, Jesus, images of the Saints, doctors and the
Apostoles
The apse - The walls of the apse have frescos from
the Orvieto school carried out by Ugolino del Prete Ilario
and Pietro di Puccio between 1370 and 1380. They were
restored in 1491 by Giacomo di Bologna and then by Pinturicchio
and Antonio di Viterbo known as Pastura.
These frescos, which in part have been destroyed, show
in the vault the “glory of the Virgin” and
on the walls the “life of the Virgin”
The apse is divided from the transept by a magnificent
staircase in travertine stone and crowned by a baluster
of dark red marble created by Ippolito Scalza, as was
the “Pietà”, a group of four expressive
figures sculptured from a single block of marble.
The Emilio Greco doors - In 1970 the
old wooden doors were substituted by the bronze doors
created by Emilio Greco. On the central doors, which is
divided into six panels, there are the seven works of
“Misericordia”
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Hotel
Duomo - Vicolo di Maurizio, 7 - 05018 Orvieto (Tr) - Italia
- Telefono 0763 341887 |
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